![]() ![]() The F6 evolved from the legendary Nikon F, introduced in 1959. ![]() The Nikon F Mount Pro SLRsĪs its name suggests, the F6 is the sixth of Nikon’s F mount pro bodies. Happily, film sales have been growing modestly since then, with film specialists like Analogue Wonderland now selling over 200 types of film stocks. Film sales were already in decline by 2004 but post-peak demand was still impressive.Īccording to the same source, by 2017 film sales had dropped to a low point of 2% of that peak before rebounding. “The film market peaked in 2003 with 960 million rolls of film” he said. Roll forward to another trade show – CES 2017 and the president of Fujifilm’s North American imaging division provided a clue as to why Nikon launched the F6 in 2004. ![]() In the same year the Minolta Dimage A1 became the first digital camera to stabilise images by shifting the sensor. In 2002 Contax shipped the first full-frame DSLR, which was followed by Canon’s popular version, the EOS-1Ds. By 1999, five years before the F6 appeared, the first fully integrated digital SLR designed from the ground up, The Nikon D1, had been launched. The LCD screens on the back of digital cameras we take for granted arrived in 1995. The world’s first digital SLR, The Kodak Professional Digital Camera System, had been introduced 13 years previously in 1991. Perhaps what caught those people out was how far digital photography had already come by 2004. As Thom Hogan observed at the time, the launch of a new pro SLR surprised a few people, but it really shouldn’t have Nikon delivered the F6 eight years after the F5, which was the standard interval between pro film bodies at that time. The Nikon F6 was announced at Photokina 2004, along with the digital Nikon D2X. It is the film camera I taken most pictures with. The Nikon F6 was the last of the line of Nikon’s professional SLR film cameras, and perhaps the most technically refined and advanced 35mm film camera ever made. ![]()
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